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AUSTRIA
FALL 2005
Graz
The River Mur cuts through the
middle of Graz, uniting all that makes this city so unique.
You would be hard-pressed to find a place so steeped in
tradition and historic architecture that is also home to
a trendy, cosmopolitan culture and ultra modern
exhibition sites.
We checked-in at the Hotel Das Weitzer, located on the banks of the Mur, across
from the city center. The Hotel Das Weitzer, the city's
largest hotel, was built in 1910. The front desk staff
was extremely knowledgeable, helpful and anxious to
please. Next to reception is an executive business center
with complimentary computer and printer facilities.
Everything is large, from the lobby, lounge and bar area
with its leather seating to our room, which had a
separate sitting area with desk, table, chairs and sleep
sofa.
The Landhaus-Keller,
in the Landhaushof in the center of town, Schmiedgasse 9,
is considered to be one of the top restaurants in the
city, a perfect place for lunch, with several rooms as
well as open courtyard dining. What a splendid dining
environment! The walls were decorated with frescoes,
paintings and historical artifacts. A beautiful wrought
iron lighting fixture hung above our table and we sat on
a richly-upholstered banquette. Graceful wrought iron
dividers added intimacy and privacy.
We had our first wine of the "Schilcher"
grape which is a variety only grown in western Styria.
Light, tart and fruity it was a perfect complement to a
fabulous starter of carpaccio of Alpine bullock, thin
filet of beef rolled with pumpkin seeds and marinated in
apple balsamic vinegar and walnut oil with Asmonte cheese
(Styrian parmesan).
This area of Styria is famous for
its pumpkin seed oil which is probably why the pumpkin
soup was the very best of all the versions we enjoyed
during our trip. For mains, Linda had grilled sirloin
with onions and I, wild ragout of deer from the
Flickforest Estate on the Strechau hunting grounds. The
tender cuts were stewed with chanterelle mushrooms in red
wine sauce. Both were served with bread dumplings and
Brussels sprouts. Totally awesome! Service was superb and
the prices reasonable for this quality of dining.
Landhaus-Keller deserves its fine reputation.
A plaque on the Landhaushof, Herrengasse 16,
reads, "Parliamentary Rules of Behavior- No noise,
No arms, No fighting" (they'd never tolerate
anything like Question Period in Ottawa!). The facade is
impressive but the courtyard is a show-stopper. With
arcades reminscent of a Venetian Palazzo, this stunning
jewel of Italian Renaissance architecture was created by
Domenico dell'Allio. This is the home of the Styrian
provincial parliament and as a group of gentlemen
approached, our friendly greeting yielded an unexpected
reward. We were introduced to none other than the Prime
Minister of Styria, Franz Voves. We chatted and learned
that he had been a professional hockey player and was
happy that the pros were back at it after the lockout.
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The Parish church next door, with
its Baroque facade and Gothic interior, has a stained
glass window that portrays Hitler and Mussolini as
willing observers to a crowd beating Jesus, which
symbolizes their inhumanity.
For a sweeter thought, go next door
to Ferdinand Haller and smell the chocolate on display
and check out the gorgeous Baroque ceiling.
Next to the Landhaus is the
Landeszeughaus (armory), entrance on Herrengasse, which
has the world's largest historical collection of weaponry
with about 32,000 pieces. It is literally a warehouse.
Four large floors are stacked high with wooden shelving
all filled to the brim and piled all the way to the high
ceiling with many pieces hanging from the ceiling over
the aisles. Rifles, pistols, body armor, cannons, spears,
swords, shields, horse armor etc. are perfectly preserved
and maintained. It is a stunning display that is
carefully watched over by guards on every floor.
Opposite the Landhaushof is a
gorgeous inner courtyard, the Generalifhof, in which jazz
concerts are presented in the summer months. We found
many of these picturesque courtyards as we roamed about,
just keep looking.
The main square, Hauptplatz, was
established in 1160 and redesigned in 2002. With an 1878
statue in memory of the Styrian Prince Archduke Johann,
magnificent houses of Baroque and Gothic origin, narrow
alleyways lined with neat shops bustling with young
people shopping and socializing and street entertainers,
it represents the spirit of Graz. In the 19th century
Graz was known as the city of the retired; today it is
young and vibrant.
No visit to Graz is
complete without a trip to the rooftop of Graz,
Schlossberg, Castle Hill, with its historical clock tower
looming over the city. You can walk up the steep green
hill (472 meters high) or take the Schlossbergbahn (funicular).
There is a tunnel system at the base of the hill that was
used during WWII for defensive purposes that is now used
as exhibition space. From the castle hill we could see
all that makes Graz so fascinating: the old rooftops and
streets, courtyards and squares around us, the river with
the Murinsel (island on the Mur) bridging the way to the
Kunsthaus Graz, the ultra modern exhibition center.
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Murinsel was one of the main
architectural projects of the Cultural Capital year 2003.
The floating island resembles a giant open clam shell,
connected to the shores of the Mur by walkways. In it is
a cafe, an amphitheatre and play area. It's a place for
young and old to take sun and enjoy the flowing river
rushing by.
The narrow charming
Franziskanergasse leads to Franziskanerplatz, home of the
Franziskanerviertal (Franciscan quarter) and the
Franziskanerkloster, the only Franciscan Monastery in
Austria. The Franciscan quarter is sometimes called the
"calf district" because of the numbers of
butchers and sausage sellers who have been here for
centuries. It's a colorful setting for the sidewalk
restaurants and cafes that specialize in Mediterranean
offerings. The Franciscan church is the oldest religious
order in Graz.
When we returned in the early
evening we found that the water did not drain in the
shower, which could not be solved, so we were moved to
another room which was even larger but was equipped with
a Murphy bed with a rock hard mattress. We had planned to
go to a cello concert at the Opera House but after a too
long nap and the water problem, room switching, etc., we
gave up on the idea.
It's interesting to note that the
contemporary steel sculpture called Light Sword, in front
of the Opera House, which had initially caused
controversy, became a symbol of Graz's cosmopolitan
attitude.
A fantastic selection of rolls
highlighted the very good breakfast buffet, which was
well-attended by businessmen. Updating the bathrooms and
refurbishing the guest rooms of the hotel would go a long
way toward making the total experience match the
excellent service.
The Graz Synagogue
was just a few blocks from the hotel at David-Herzog-Platz
at the corner of Zeiglgasse and Grieskai. It is an
attractive modern design of red masonry and glass with a
striking large glass dome with biblical inscriptions overhead in the
sanctuary and pillars representing the twelve tribes of
Israel. The congregation consists of one hundred thirty
members. There is no full time rabbi but on the day we
visited, the rabbi was coming from Vienna to officiate at
a bar-mitzvah.
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On the way back to the hotel, we
spotted the shirtmaker Sir Hemden & Blusen, Grieskai 42, where fine dress and leisure
cotton shirts are hand made for men and women and sold
directly to the public, including me! I'm enjoying my
purchase and feel it was a great bargain considering the
quality.
The Kunsthaus Graz, affectionately known to the locals as the
Friendly Alien, sits on the banks of the Mur. The
innovative biomorphic structure is in stark contrast to
the ancient clock tower looming from on high across the
river. The old/the new, the past/the future, tradition/avant-garde,
while preserving its history, Graz is working hard to
greet the future.
This location is further proof of
that intent. Originally the Kunsthaus was to be built
within the Schlossberg mountain walls with the membrane
protruding out of the mountain and into the city like a
dragon's tongue. The concept of the dragon's tongue led
to the present shape of the Friendly Alien. It was
finally decided that building it on this spot, in the
previously disadvantaged area of the city, would serve as
a catalyst for positive change.
From a distance you cannot miss the
strikingly shaped blue "nozzles" that seem to
jut out of nowhere. Getting closer we saw that they
project out of the body of what appears to be a giant
bluish shimmering bubble that floats above a glass walled
ground floor. At the corner of Südtirolerplatz and
Lendkai and linked to the 60 meter wide, 23 meter high
Friendly Alien is the "Eisernes Haus", the
oldest structure of its kind in Europe. Classified as a
historical monument, this cast iron structure was
carefully renovated during the construction of the
Kunsthaus.
The technical design is far too
complex for me to dwell upon. I am satisfied to have seen
the array of features and functions in the exhibition
areas carefully designed to enhance any presentation or
display. The facade is really intriguing with an
installation of light rings that aesthetically and
functionally integrates architecture, technology and
message. The skin of the Kunsthaus is an extraordinary
medium for presenting art and related information
transfers.
Its mission is to house
international exhibitions of multi-disciplinary modern
and contemporary art. The Kunsthaus Graz will have
neither a collection of its own nor a permanent
exhibition nor will there be permanent storage nor
research facilities.
The ground floor houses reception,
encased models of local interest and a cafe/restaurant. A
slow moving ramp known as the "Pin" moves
"up into the unknown" (ever-changing) from the
glazed foyer to the skin-encased body of the Friendly
Alien.
The present exhibition, "M
City"- European Landscapes, will be on display until
Jan.8,2006. Since the existence of the modern city, the
urban aspect of city living has held a fascination for
artists and a theme for artistic and theoretical
examination. Is the European city a discontinued model?
The multiple aspects of urban change form the central
theme for this exhibition and is represented in a varied
repertoire of artistic forms designed as a process
oriented action whose protagonists, artists, architects
and city theorists have followed the invitation and
specifically created new works of art and installations
for this purpose. The subject matter and presentations
are complex and challenging and as we proceeded up the
"Pin" into the unknown we were intrigued and
stimulated.
At the top floor we found that
those nozzles are not just an architectural decoration
but that they point north and provide natural light.
There is a glass-enclosed lounge for taking a break to
enjoy the river and city views, have a beverage and
digest all that you've experienced.
We had a delightful lunch at the
ground floor restaurant, Gasthaus Kunsthaus. The menu was
comprised of contemporary light offerings. We followed
the advice of our waitress who suggested the chestnut
cream soup and prawns wrapped in crispy dough with mixed
greens dressed with chili and soy sauce. The fresh orange
juice was delicious.
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Enjoying the contrast, we boarded
the bus in front of the Kunsthaus Graz, Museum of
Contemporary Art, to Schloss Eggenberg and
the Alte Galerie with 500
years of Austrian and European art history.
It's about a ten-minute walk from
the bus stop to the grand walkway leading to the
magnificent palace and park. The lovely, sprawling
grounds are home to innumerable colorful, friendly
peacocks.
The art collection was moved here
from the Landhausmuseum Joanneum in September and is
beautifully displayed in twenty-two magnificent rooms.
Starting at the "Friesach Sacristy Door" from
the late 13th century, there are three hundred paintings
and sculptures by old masters ranging from the 13th to
the18th century plus interesting collections of artifacts,
archeological finds and coins.
We were fortunate to have Steven
Fowler, an American, as our guide. His knowledge and
ability to communicate the essence of what we were seeing
made the experience so meaningful for us. When we thanked
Steven and expressed our admiration for his knowledge, we
were astounded to learn that we were the first people he
had ever guided through the gallery. As we write this, we
are delighted that Steven, who enjoys traveling, has
joined TheTravelzine discussion group.
Krebsen Keller, Sackstrasse 12,
telephone 0316-829377 is a popular restaurant tucked into
a cute alleyway. After a contemporary lunch in an ultra
modern building, why not a traditional dinner in a
traditional Styrian restaurant! We relaxed with a glass
of that luscious Schilcher wine and switched to dark beer
with our meal. Linda had a good beef goulash with white
bread dumplings and I, unfortunately, dry tafelspitz with
frozen vegetables slathered with cream sauce,
unfortunately lots of both to leave behind. The prices
were low as was the quality.
Graz is an interesting and
captivating city and should be on every Austrian
itinerary.
On to Vienna!
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Wachau_Krems_Melk_Durnstein
Salzburg | Kufstein_Kitzbuehel
Rattenberg_Hall | Innsbruck
Zell Am See_Kaprun | Spittal
Klagenfurt | Graz | Vienna
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